Archive for the tag 'Cooke-Sasseville'

[Pêche interdite/No Fishing [Fishing prohibited/No Fishing], Thierry Arcand-Bossé, 2008, Quebec City]

Efforts to improve nearby ramps of highway Dufferin-Montmorency continue in the Saint-Roch district of Quebec City. The destruction of two ramps freed some space where a new park will be built: Xi’an park.

Since June, manhole covers decorated by Quebec artists have been put in place. These works of art are integrated into the street furniture of the city.

[Future Xi’an Park, 2008, Quebec City]

Non-profit organization Folie/Culture is behind this initiative. In a previous post, I related my visit to the workshop of artist Paryse Martin, who had shown me the design for her cover. The result is as pleasing as the drawing suggested.

[Sketch, Quand la nature fait naître des fictions [When nature creates fictions], Paryse Martin, 2008, Quebec City]

[Quand la nature fait naître des fictions [When nature creates fictions], Paryse Martin, 2008, Quebec City]

Did you know? Folie/Culture “seeks to inform, to raise awareness, and to promote in the area of mental health. It organises events that follow unusual directions in research while at the same time motivating reflection on questions relating to painful social issues.”

[Dérapage [Slippage], Cooke-Sasseville, 2008, Quebec City]

The idea of integrating a banana peel on laughs and to call it Dérapage [Slippage] makes one smile. It should be noted that Cooke-Sasseville appears to have a busy summer! The duo also participates in the Triennal at the Montreal Museum of contemporary art and in Quebec Gold, which takes place in the city of Reims (France).

You can download a map of the circuit by visiting the website of Folie/Culture. I also prepared a circuit on Google Maps.

[Circuit, Google Maps]

[Prière d’écraser [Please crush], François Chevalier, 2008, Quebec City]

Did you know? Xi’an park owes its name to the nearby street. It marks the site of the former Chinatown of Quebec City, ravaged when the highway was built. The city of Quebec also has a cooperation agreement with the Chinese city of Xi’an since 1999.

[Cité suspendue [Suspended City], Laurent Gagnon, 2008, Quebec City]

It would have been interesting to name the artists on their plates. At the very least, a panel indicating the intention behind the idea to passerbies would have communicated the intentions of the exhibit to a wider audience. Furthermore, the absence of a title takes away basic information that adds to the pleasure when watching the works.

Finally, the rust that has emerged quickly surprises me: are these works permanent or will they be withdrawn at the end of the year? An article [in French] suggests that they’ll stay in place until the end of their useful life. Folie/Culture says that the exhibit closes on December 31, 2008. In all cases, it would seem like their useful life is relatively short…

[Vertigo, Jacques Samson, 2008, Quebec City]

It is difficult to talk about this exhibition without a mention of the censorship which hit artist Martin Bureau. Indeed, his drawing of Queen Elizabeth II mixed with a reindeer head was censured by the foundry Bibby Ste-Croix (a subsidiary of McWane located in Alabama) and the city of Quebec. If the artist wanted “to make people talk”, it seems that critic is liken to “Debbie-Downers” in the Old-Capital. The censorship thus took place without raising an eyebrow.

The exhibition Manhole Madness is presented on Saint-Vallier street, under the ramps of Highway Dufferin-Montmorency, until December 31st, 2008. The initiative is an official event of the 400th anniversary of the founding of Quebec City.

Further reading:
* My post on the drawing from Paryse Martin
* My post on manhole cover art
* My circuit on Google Maps
* The site of the organization Folie/Culture
* Official map to identify the works
* Carte officielle pour repérer les oeuvres
* Des Photographs taken during the inauguration on June 2008
* Article in French from weekly Voir with a picture of the artists
* Canoe, in French, on Martin Bureau’s censorship

* Quebec City launched a contest for the realization of a work of contemporary art in the borough of Beauport. The work will fit a place with water jets on the avenue Royale. Budget: $ 80.000. Deadline: July 7, 2008. [details]

* Montreal daily Le Devoir reported in its weekend edition that the National Gallery of Canada could terminate its agreement with the City of Energy in Shawinigan. The budget cuts of the Conservative government would be to blame.


[Ron Mueck, Baby; source: wikipedia.org]

All the more reason to enjoy the exhibition by Ron Mueck and Guy Ben-Ner, which runs until September 1st 2008.

* Le Moulin des images [The Mill of Pictures] from Robert Lepage is projected on the mill of the Bunge in Quebec City’s port. No narrative but a series of impressions. You will find a slideshow of interest on the site of Ex Machina.


[Ex Machina]

* The Naval Museum of Quebec deserves to be better known. Located in the Old Port, it offers two exhibitions this summer. The Refectory is a work by Isabelle Laverdière which interprets exchanges that occurred between marine enemies over centuries on the St. Lawrence River. By Sea and In Stone covers the development of defensive works in the region. The exhibition is presented in collaboration with the Museum of the Royal 22nd Regiment [Citadel], the Museum of the Regiment of Voltigeurs of Quebec [Armoury; currently closed due to fire] and the Musee du Regiment de la Chaudière.

* Quebec Gold presents the works of 17 artists from the nation in Reims (France) this summer, in collaboration with L’Oeil de Poisson. Those invited are: Jean-Pierre Aubé, Mathieu Beauséjour, BGL, Sylvain Bouthillette, Michel de Broin, Cooke-Sasseville, Doyon-Rivest, Jérôme Fortin, Dominique Gaucher, Pascal Grandmaison, Isabelle Hayeur, Guillaume Lachapelle, Emmanuelle Léonard, Yann Pocreau, Yannick Pouliot, Michael A. Robinson et Ève K. Tremblay.
Note that Michel de Broin, Cooke-Sasseville, Doyon-Rivest, Isabelle Hayeur and Yannick Pouliot are also part of the Triennial of the Museum of Contemporary Art of Montreal.

* Many works of contemporary artists were acquired by Loto-Quebec after Manif d’art 4. Works of the following artists have been acquired: Éveline Boulva, Eve Cadieux, Don Darby, Isabelle Véronique, Lucia Lefebvre, Reno Salvail, Helga Schlitter, Bill Vincent and Giorgia Volpe. Moreover, Nathalie Thibault and Cooke-Sasseville received scholarships. Note that the latter is part of the Triennial of The Museum of Contemporary Art of Montreal and, as mentioned earlier, his works will be exhibited in Reims.

* The Montreal Museum of Fine Arts offers a free and individual tour next Wednesday. [details]

* In conjunction with the exhibition The Louvre in Quebec, the National Gallery of Quebec [Musée national des beaux-arts du Québec] offers free shows of the film Louvre, the visit. Performances are at 13h30 and 15h00 on the following dates:
June: 15, 18, 22 and 29
July: 2, 9, 13, 20, 23, 27 and 30
August: 3, 6, 10, 13, 20, 24, 27 and 31

* The market for contemporary sculpture continues to be strong. For example, the sculpture My Lonesome Cowboy by Takashi Murakami was sold for $ 13.5 million in May. Artprice provides a market analysis.


[Takashi Murakami, My Lonesome Cowboy, 1998, epoxy resin]

* Mexico is too small for the Guggenheim.

* Collector Charles Saatchi bought many works of three graduates in visual arts.

* Going by San Francisco? An exhibition on women Impressionists has just begun at the Museum of Fine Arts. A selection of works is available on the Museum’s Picasa account.


[Berthe Morisot, Interior, 1872, oil on canvas]

* And on a more personal note, I finished my intensive summer course in art history. Entitled Impression and Sensation: Aspects of the Artistic Subjectivity in Modern Painting in the Nineteenth Century, it was a deepening experience of landscape painting, the Impressionists and Cezanne.

The Quebec Triennal is presented for the first time at the Musée d’art contemporain de Montreal [Montreal Museum of Contemporary Art]. Entitled “Nothing is lost, nothing is created, everything is transformed”, it offers 135 works created by 38 artists. Using this event as an excuse, I wondered about the Web presence of each of the artists presented.

To classify artists according to their Internet reputation, I selected three criterias: the number of links found by Google, the management of domain names [like artist_name.com] and the presence or absence of a page in the online encyclopedia Wikipedia.


[Julie Doucet, Pantalitaire 2, 2007, 8 collages, 30 x 137.1 cm]

The title of Queen of notoriety on the Internet is bestowed upon Julie Doucet. With 63,000 links on her behalf, 4 articles in Wikipedia, a website owned by a publisher and an official site, we can say without embarrassment that the artist is known on the Web, mainly because of her comics.


[David Altmejd, Berger [Shepherd], 2008, wood, mirror, crystal, horsehair and painting, 365.7 x 152.4 cm x 121.9, with the kind permission of the Andrea Rosen Gallery; photography: Ellen Page Wilson ]

Accompanying Julie Doucet atop the notoriety list on the Internet, David Altmejd ranks second with 51,400 links, 3 articles in Wikipedia and a cybersquatted site.

Among other results of this unpretentious study, I noted that many artists have websites well done: Nicolas Baier, Gwenaël Bélanger, Patrick Bernatchez, Michel de Broin, Raphaëlle de Groot, Manon De Pau, Doyon-Rivest, Romeo Gongora, Adad Hannah, Isabelle Hayeur, Bettina Hoffmann, Lynne Marsh, Serge Murphy, Jocelyn Robert.

Surprisingly, some artists prefer .net or .org instead of .com even when the latter is available. This is the case of Michel de Broin, Raphaëlle de Groot and Bettina Hoffmann.

It should finally be noted that David Ross and Carlos Sanchez were excluded from the rankings. The fact of the matter is that their names are also those of personalities known in other areas, which greatly disturbs the data.

Ranking of MACM Triennal artists according to their Internet presence

Julie Doucet: 11.30
David Altmejd: 9.14
Michel de Broin: 2.85
Isabelle Hayeur: 2.70
Jocelyn Robert: 2.42
Lynne Marsh: 2.15
Adad Hannah: 2.03
Bettina Hoffmann: 1.60
Nicolas Baier: 1.37
Michael Merrill: 1.26
Jason Sanchez: 1.23
Gwenaël Bélanger: 1.15
Patrick Bernatchez: 1.09
Doyon-Rivest: 1.08
Raphaëlle de Groot: 1.08
Serge Murphy: 1.06
Manon De Pauw: 1.06
Romeo Gongora: 1.01
Charles Guilbert: 0.70
Yannick Pouliot, WWKA, Louis-Philippe Eno, Chih-Chien Wang, Stephane Gilot, Etienne Zack, Cooke-Sasseville, Emanuel Licha, Manon Labrecque, Cynthia Girard, Karen Tam, Tricia Middleton, Jon Knowles, David Armstrong Six, Patrick Coutu, Valerie Blass, Anthony Burnham, Jonathan Plante, Adrian Norvid followed with less than 0.5.

Methodology

The name of the artist as well as the term art were entered in the search engine Google. I forced the search engine to include the term art in each of the pages found so that artists working with homonyms in other areas were not privileged.

The first five results are as follows:
David Ross: 163,000 links
Carlos Sanchez: 148,000 links
Julie Doucet: 63,000 links
David Altmejd: 51,400 links
Michel de Broin: 28,500 links

The last five results are as follows:
Valérie Blass: 360 liens
Anthony Burnham: 334 links
Romeo Gongora: 132 links
Jonathan Plante: 120 links
Adrian Norvid: 48 links

Each tens of thousands of links gave a point. Thus 163,000 links attributed 16.3 points.

The presence of articles in Wikipedia gave a point by page in each language.

Domain names purchased by a third person gave a point. David Altmejd and Lynne Marsh both “benefited” from this involuntary notoriety.

The presence of an official website gave a point.

It should be noted that this ranking has no scientific claim. It reflects the Internet buzz according to personal considerations from the author of this blog.

Each component of the scores can easily be criticized. Thus, Paris Hilton gets 3.3 million links, even when her name is bound to the word “art”. Moreover, the results vary from Google servers on which research is conducted. To be more effective, I would have had to use a search tool that searches the data centers of Google…

In the end, nothing beats a visit to the museum to let go of the buzz and feed one’s own thoughts!